Inventing Live-Action Reference for Animation

Art Babbitt with cameraIn the mid-1930’s, Art Babbitt was working at Walt Disney Studios on Hyperion Avenue in Hollywood.  It was an exciting place for a creative, intelligent mind.  It masqueraded itself as a mere animation studio, but is was really  a bunch of brilliant artists, with Walt at the top.  These people were building up an artform  that was barely 30 years old.  And to do that, you had to constantly improve.

To get better, you have to try things no one has done before.  Besides bringing in an art teacher to the studio to teach and lecture, Art bought his own 16mm camera and shot film reference to be  the first artist to study the science of movement.

Goofy Live Reference

Goofy Live Reference

The method Art Babbitt developed to record the movements for Snow White has been used consistently all over the animation world, in all forms of animation (yes, even computer animation and stop-motion).  Remember the Animation Renaissance that happened in the late ’80s?  Check out the images below.

Littler Mermaid Ariel Reference

This entry was posted in 1932-1941: Disney Glory Days, Disney, Film and tagged , , , , , , , , , . Bookmark the permalink.

6 Responses to Inventing Live-Action Reference for Animation

  1. Pingback: New York 1936 on Film | babbittblog

  2. Pingback: Marge Champion, Disney and Art Babbitt | babbittblog

  3. Pingback: “Mickey’s Amateurs” | babbittblog

  4. Pingback: 1936 Lecture: Animation is Music | babbittblog

  5. Pingback: How Babbitt Changed Animation Methodology – Pt 1 of 4 | babbittblog

  6. Pingback: How Babbitt Changed Animation Methodology – Pt 4 of 4 | babbittblog

Leave a Reply

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s